Enter IYON 7 - An Introduction to the IYON 7 Universe & New concept artworks

Tales of The Monsters of Blue Anatolia 
An Introduction to the Iyon 7 Universe

Note: This text is an excerpt from a promotional introduction prepared for an issue of Berzah Fanzine (a Turkish magazine devoted to fantasy literature and speculative imagination) (2026).

At the outset, we step into a universe first awakened by The Monster of Lampsacus, one of the eight interconnected sciencefiction stories collected in Dream Attack: Daydream Fictions.  It is a world shaped upon a plane where the philosophical and scientific inquiry of the daydream intertwine, and where the boundaries between dream and reality are deliberately blurred.

Moving beyond the conventional boundaries of both fantasy and science fiction, this narrative architecture invites the reader not merely into a fictional setting, but into a field of cognition. Its point of departure lies in the story of a monstrous encounter on the shores of Phocaea, during the northern exile of Anaxagoras after his expulsion from the Milesian school. Yet this encounter is not simply a mythological scene. It marks a moment of rupture in which thought comes into contact with nature, with the unknown, and with fear itself.

It is precisely here that the Iyon 7 stories begin. They return to a time when nature had not yet been formalized into laws, but when the first inferences of Anatolian natural philosophers were beginning to emerge. By carrying this formative moment into the plane of daydream, the narrative reconstructs the birth of inquiry itself. In doing so, it opens a conceptual space where mythos and logos interact, where inspiration and cognition converge.

For the most part, the narrative remains grounded within the boundaries of modern physics and is structured upon a hard science fiction framework consistent with contemporary cosmological models. Through the efforts of a cybernetic species seeking to understand consciousness, it becomes linked to Earth and to its thinkers. While preserving the internal rigor of speculative scientific reality, the work also extends toward multiverse speculation, translating these possibilities through daydream into a fantastical layer rooted in the idea of Blue Anatolia.

The existential struggle of this cybernetic species intersects with Antiquity when, under specific cosmological conditions, a time package falls into ancient Anatolia during the Ionian era. At this critical point, the Seven Sages of Ionia, their intellectual labors, ambitions, and lives, become part of a process that seeks not only to understand themselves, but also to interpret this cosmic intervention. As masters of the Milesian school, they embark upon journeys aimed at grasping nature and truth. These journeys stretch from the Temple of Artemis to the Temple of Apollo at Didyma, from Mount Latmos to the summits of Pamphylia; at times crossing the Mediterranean toward Sicily and Akragas, and at others reaching as far as the Sun City of Egypt. Across this geographical expanse, they encounter mythic beings, monsters, and the ancient dragons of Anatolia.

For this reason, the narrative is not a conventional fantasy world. Rather than a wholly fabricated reality in the manner of The Lord of the Rings’s Middle-earth, it offers a geofictional structure in which real geographies, historical figures, and intellectual inheritances are reinterpreted within a fictional texture. As readers follow the philosophers’ intellectual exercises, they witness at once the epistemological journey of scientific knowledge and the mythological dimension of existence.

A natural question emerges: are not these historical figures already sufficiently “fantastic,” given the semi-mythological qualities they acquired through the works of Herodotus and Homer? This narrative answers clearly: no. If they were, the effort of Anaximander to understand nature would remain far more vividly alive in contemporary consciousness, and the intellectual legacy that first flourished in Anatolia would be claimed with greater force.

This philosophical science-fiction feast also examines the quantum nature of consciousness. Here, the concept of the aeon from Roger Penrose’s conformal cyclic cosmology, theories of quantum consciousness, cybernetic organisms, and the poetic language of Anatolian natural philosophers become interwoven into a new theoretical narrative. The ancient philosophers who once articulated their reflections on nature in poetic form offer a striking counterpoint to the prose-centered scientific language of the present. From this tension emerges a mode of expression that reunites science and poetry. Accordingly, the text is conceived as a hybrid form, threaded with transitional poems in which scientific thought and poetic utterance flow together.

A mind that grew from these lands, following in the footsteps of sages who sought to understand nature here, sets out across the mountains and ridges of Anatolia on a fantastic journey. At the same time, it is also a journey toward the intensification of cognition itself, a pursuit deepened by the conceptual instruments of speculative fiction.

With its poems, music, geographical fiction (geofiction), game cards, and listening sessions, this work seeks to create a multilayered field of interaction. Its full value will ultimately emerge through the relationship it forms with its readers. The production line we have pursued under the horizon of “science and poetry” carries this universe toward an interdisciplinary unity. In this spirit, Magnetic Monopole Dreams in Blue Anatolian Nights: Science and Poetry, Volume II includes transitional poems belonging to the Iyon 7 universe. These poems establish an organic relation to the principal narrative, expanding and deepening it as a complementary field of reading. In this sense, the volume functions not merely as an independent poetry collection, but as the poetic projection of the Iyon 7 universe itself.

To conclude, a brief introduction that sketches the essential contours of Tales of The Monsters of Blue Anatolia - Iyon 7:

Across the continuity of spacetime, two successive aeons bound together by the web of entropy are threatened with annihilation by separatists of the cybernetic species known as the Luxars. In the Ionian lands of Aeon One, the encounters of the Seven Sages with the Monsters of Blue Anatolia within the realms of daydream preserve the final plane that holds these aeons together.

Adorned with science fiction, fantasy, and magical realism, the narrative of Anatolian natural philosophers and their inferences about nature also unfolds as an Ionian exercise in thought and a set of philosophical meditations, stretching from Thales to Anaximander, from Pythagoras to Heraclitus.

Those who must confront the Monsters of Blue Anatolia in order to sustain the realms of daydream are, in truth, struggling to keep an Ionian dream alive.

Seven sages clashing with the Monsters of Blue Anatolia upon the plane of daydream, an epic of two aeons, where myth and science collide within the same breath.

OUR COMPLEMENTARY POETRY BOOK WILL BE LAUNCHED SOON

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Bilim ve Şiir II. Cilt

These concept art images are generated using AI with various available models. They represent initial visual interpretations derived directly from the narratives, descriptions, and conceptual elements found within the book. Selected moments from the storytelling have been visualized with the assistance of AI to enhance and support the immersive experience.

For some, it may be dismissed as “AI slop,” but for us, it is a creative medium, an instrument to visualize and bring life to our story. Given our limited resources to produce or distribute it through conventional means, AI becomes a practical and expressive bridge. So, experience it as intended, and enjoy the world we’re building.

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